Xinjiang Today
Guarding the roots of culture
By Yan Wei  ·  2026-04-24  ·   Source: NO.4 APRIL 20, 2026

Across the vast deserts and mountains of Xinjiang, ruins and relics whisper stories of ancient exchange and enduring identity. In this region, long a meeting point of civilizations, preserving cultural heritage has become both a technological mission and a civic one: a way to protect not just artifacts, but symbols of the continuity of civilization.

According to the Xinjiang Uygur Autonomous Regional Cultural Heritage Bureau, the region's cultural treasures now include six World Cultural Heritage sites, over 9,500 immovable relics and roughly 450,000 movable artifacts. Together, they form an expansive archive of China's past, bearing witness to centuries of trade, migration and cultural fusion along the Silk Road. They are both regional and national—expressions of Xinjiang's history and evidence of integration within China's diverse civilization.

At the institutional level, Xinjiang's heritage governance balances central guidance with local responsibility. The message is clear: Preservation always comes first. From the 2007 adoption of regional measures to ensure the implementation of the Law on Cultural Relics Protection to Changji Hui Autonomous Prefecture enacting regulations last year to protect the ruins of Beiting Ancient City, a full-fledged legal framework is taking shape. The ancient city was home to the Grand Beiting Frontier Command, one of the two frontier commands the Tang Dynasty (618-907) established to administer Xinjiang, then known as the Western Regions.

Three rounds of national surveys have enabled Xinjiang to gain a clearer picture of its heritage assets. The ongoing fourth survey, starting in November 2023 and scheduled to conclude this June, has uncovered more than 2,500 potential new items to date.

The manpower devoted to cultural heritage protection has also expanded. Since the creation of the first relic management committee in 1958, Xinjiang's conservation corps has evolved to an extensive network including a regional bureau plus 14 prefectural-level bureaus, employing more than 900 professionals. Public funding has risen in parallel. Since 2017, almost 1,000 field custodians have received regular stipends to monitor remote heritage sites, a recognition that this effort depends as much on people as on policy.

The results are visible. Since 2012, Xinjiang has carried out more than 1,000 projects involving structural restoration and facility construction at cultural heritage sites such as the Yili (Ili) Commandery, the headquarters of the Yili general, the highest military and administrative official in Xinjiang in the Qing Dynasty (1644-1911), and the ancient city of Loulan, which dates back to the Han Dynasty (206 B.C.-A.D. 220). Since 2021, it has completed 18 conservation and restoration projects for movable relics, including excavated manuscripts and textiles, restoring over 7,200 artifacts.

Notably, a digital transformation is underway. For instance, around 2,000 artifacts at the Tulufan (Turpan) Museum are being digitalized using three-dimensional imaging technology so that they can be permanently preserved and displayed. Heritage should not be sealed off behind walls of reverence, but integrated into education, tourism and cultural development.

The importance of this work extends beyond heritage. Archaeological discoveries across Xinjiang chronicle communication and coexistence among many of China's ethnic groups. Objects unearthed speak of synthesis, a testament to the fact that Xinjiang has always been an integral part of the Chinese nation. Each restored monument and deciphered inscription reinforces the truth that unity in diversity has long been essential to the strength of this time-honored civilization.

Xinjiang's evolving model of cultural heritage protection underscores the need to preserve artifacts for identity. Cultural preservation, at its core, is an act of confidence, confidence in the idea that history can inspire a shared sense of belonging. Guarding the roots of culture is not nostalgia for a vanished past. It is an investment in resilience—a belief that a civilization renews itself through memory.

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