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Collection Time
Web> Special> Collection Time
UPDATED: September-17-2008 No.38 SEPT.18, 2008
In Pursuit of Porcelain
Chinese contemporary porcelain art has great investment potential for ordinary collectors
By ZAN JIFANG

CREATIVE FLAIR: A unique porcelain design breaks with
tradition at an exhibition of the China Academy of Art

The emergence and development of the concepts and skills of contemporary porcelain art greatly challenge this tradition. The emergence of new porcelain-making machinery and the new skills based on modern technology means an artist can complete an artwork individually, from selecting the clays to molding and firing.

Thus, a contemporary porcelain work has more continuity of design, as only one creator is involved throughout the process. Today's collectors find this aspect more appealing than antique ones.

Currently, contemporary porcelain ark making in China is based on three major creative groups. One is the craftsmen in the traditional porcelain-making areas, one is those contemporary ceramists influenced by Western art concepts, and the other is artists who try to merge Western and Chinese cultural characteristics in their works.

How to invest

What makes a piece of porcelain valuable? According to Liu Yuanchang, an art expert, the value of art porcelain is made up of four aspects. The first is the art value of the work. Referring to the phenomenon in the market that a big work is normally priced higher than a small one, he said that only a work with high art value can expect big price increases.

Second is the crafting process. It basically takes 18 steps to finish a porcelain work. The process becomes more complicated if choosing the clay is included.

Third is that it should be associated with the time and reflect the time, which is also called the historic value of an artwork. Only a work that has both art value and historic value is worth investing in.

The last factor is the number of similar works that have been produced. The fewer the number of similar porcelain works, the more expensive they are.

Weng said that for those investors that lack the background knowledge, they can go to credible galleries and find works of famous contemporary porcelain masters in China that have letters of authentication signed by the artists themselves.

Collectors who have limited capital, but some knowledge about painting or art can choose masterpieces by young artists that are not yet famous, but have the potential to be.

"The price of their work is much lower than that of the works by some porcelain-making masters whose works are already entrenched in the market," she said.

According to her, a porcelain work by a young Chinese artist in some art institutes normally sells less than 40,000 yuan ($5,300), but a work by Ning Gang, a well-known contemporary ceramist and professor at the Jingdezhen Ceramic Institute, at a recent contemporary porcelain show held in Beijing has been priced at 160,000 yuan ($21,000).

No matter how much knowledge collectors have, experts recommend one basic principle, which is that collectors must choose high-quality works, as only these maintain their vitality and endure the test of time.

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