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2008 Olympics>Chinese Arts and Culture
UPDATED: February-6-2007 NO.6 FEB.8, 2007
Cultural Fusion Takes Center Stage
East meets west when the curtain goes up on a groundbreaking show that blends Peking Opera with a French epic novel
By TANG YUANKAI

"The path of adapting Western classics could broaden the path for development of folk dramas, which will help to rejuvenate the traditional operas," said playwright Hao Yinbai. In adapting foreign novels in the past, Chinese folk operas tended to put the stories under a Chinese background and give the characters a Chinese identity. "But the unique background of the French Revolution for Les Miserables has decided that we cannot follow the same path; otherwise the graft will seem to be very awkward," he said. Hao said he was greatly inspired by musical Les Miserables in his creation.

The director of this show Pei Fulin is the Dean of Director Department of National Academy of Chinese Theatre Arts. He said his direction in acting, music, set design and costume design had tried to create a stage for the harmonious coexistence of elements of Peking Opera and a foreign story.

"Peking Opera over a long history of evolution has developed a complex system of crafts, which are also very flexible," said Pei Fulin.

As for the design of costumes, controversies exist within the cast and crew. Costume designer Liu Xiaoqing said, "Our designing of costumes has considered both the social background and the requirements for acting skills of Peking Opera." However, Chai Lixing, head of communication department of National Academy of Chinese Theatre Arts, confirmed that they are not afraid to be on the bold side since the play is experimental and educational.

Peking Opera's traditional golden rule on prop designing is simplicity. The props for many scenes are confined to a table and two armchairs. Peking Opera Les Miserables, however, uses a very complicated set made of metal. Li Wei, set designer, said without innovation, Peking Opera has no future.

After watching the show, Steven D. Lavine, President of the renowned California Institute of the Arts, said, "What is amazing about music in this show is that it is so accurate and firmly holds the attention of the audience. The music belongs to the modern times as much as to Peking Opera."

 

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